

They took away the skyscraper from the entire 3News.co.nz site. Not a one to be found. Awesome. Killed a schedule I had had signed off. That’s ok, I’m sure the Herald appreciated the budget.
Site doesn’t work properly in Chrome. What a surprise. In Firefox it looks like this:
But looks like this in Chrome:
Photos in middle column – pixels
Weather – fallen back and kinda disappeared
Search – freaks out and certainly doesn’t work (which seems weird as they use google as their search engine.)
I know I go on about this, but I love Chrome, it is a great browser. I don’t want to change to suit other people; they should change to work in with me please.
(Might be a little bolshie today, so far this week everything has gone my way, why can’t this continue? Huh?)
Here is a visual of one of the AdShels:
Last night, talking to my lovely new flatmate who works for the Capital Times, I found out just how bad this campaign is. The ‘graffiti’ that is responsible for this supposed outbreak, is actually some artwork which was COMMISSIONED. The very talented drypnz who has done a number of pieces around Wellington - including outside Rex Royale, one of my favs:gets paid for this work, because he is talented and people appreciate good street art.
The more I heard about this, and the more I have read about it this morning, the worse it gets. So it would seem that the photographer for this campaign just went out and took a photo of graffiti, they didn’t realize that it was ‘legal’ street art. When the Capital Times hit the Council up about this, they said that they had spoken with Dryp and apologized. Dryp never had a phone call – and lets be fair, its not hard to find him – and so the council retracted their statement and said that someone (I’m wondering if that might be Wellington Wall Street) have voiced their concerns about using commissioned work to highlight ‘illegal’ graffiti and the Council apologized to them. Awesome guys.
So, let’s check this off:
1. Develop an ugly idea for a campaign
2. Take a photo of commissioned work to portray to the public as ‘illegal’
3. Force the Wellington public to see this awful creative
4. Claim to have apologized to the artist
5. Retract statement and say that they will stop producing the posters (I don’t believe they have said they will stop the whole campaign though
Good work. And who is responsible for this campaign? Is there an agency behind it? A misguided design studio? Worse still, was it done in-house? Some of the comments from Wellingtonista’s blog about this campaign have been hilarious. This is my favourite though:
"I found the whole campaign creepy. All the people in the adverts were white, suburban and somehow infected by an 'otherness' from the presence of street art/vandalism."
Would love to know any other information if anyone knows anything.
Thanks Levis!
So you may have already read Tee’s detail re. ISpyLevis, but I’m so stoked about winning some Levis (and may have helped someone else win too) that I’m gonna blog about it too.
Using Twitter for ‘treasure’ hunts. It is a really nice idea. More than happy to be corrected on this, but I am pretty sure NZ Twitter-hunts all started with The Ring Hunt by @donoogle_com which you can read about here. Other ones that I know about have been the ‘find the 3G guy’ and HTC hunt by @vodafoneNZ, I believe that Snapper did one and now @iSpyLevis. The basics behind Levis is that the iSpyLevis guy is wandering around town (Wellington today, he was in Auckland over the weekend) twitpic-ing clues as to where he is. Work out his clue, find him, and ask if he is wearing Levis... and he hands over a pair or a voucher. Awesome.
It’s a nice little promotion for anyone who has a tangible product to give away. Jeans could have been quite tricky, however problem solved – give them a voucher. I never heard of how the Snapper card went, however I think you have to really assess how valuable the prize is. For example, $5k ring, Netbook, $1.1k phone, jeans all of these items are relatively sexy products and worth a decent amount of coin. Snapper cards though? Was that what they were giving away or were they the USBs? Either way, public transport isn’t the sexiest of prizes, I’m not sure I would go out of my way to try to win that.
So, what if you don’t have the most tangible, hand out on the street products? I am talking about products/retail here, what then? Well, I’m annoyed at myself that I didn’t favourite the story in my RSS feed, but there is also a video out there somewhere which details a story about a company in the State who use a bot to search Twitter at all times for mentions. A customer walked into one of their stores somewhere on the West Coast and as she sat down with her coffee and food she sent a tweet that she was in the store. Whoever was monitoring over on the East Coast, where head office is located, called the store she was in and asked them to find the woman in the store and in effect give her the meal for free.
So, obviously not the best branding exercise as I can’t remember what the company was, but maybe I would if I had heard of it before, but what something like that does is build a ‘warm fuzzy’ feeling around the brand. No doubt the person who received their meal for free would have told people about what happened, because it is a nice story. The video that I watched which detailed the events was an employee of the company, and she said that she had told lots of people, not because it was her company necessarily, but because it was such a nice story.
So here is my question, all of these lovely stories, good PR and free stuff, does that mean we are inching closer to Generation G? (If you can’t be bothered clicking on the link to read about Gen G, don’t make the mistake I did and think it is Generation Greed – which is what I would expect – it is instead Generation Generosity. Isn’t that sweet?
Bit of a cop out, I know. But here are some of my favourite clips on You Tube...
Les 7 Doigts (I was lucky enough to see these guys at an arts festival - most magical stage show I have seen in my whole life):
Nevermind the Buzzocks (It upsets me that NZ cannot air this show. I have had lengthy conversations with the programmers at TVNZ and Mediaworks - they cannot obtain the music licences and therefore can not air the show on NZ TV):
This clip is just the best bits from when Amy Winehouse was on, for the full episode, check out this.
You and I both know that there is much more greatness to be found on You Tube, but I've taken up enough of your time. Happy weekend.
I’m not sure about this at all. Television very strongly regulates alcohol advertising. It can only go to air at certain times of the day, and dependant on ratecard spend on alcohol advertising, ALAC (and please someone correct me on this as this is based on what I think I know about the account) have a deal with the networks which gives them a percentage value of that airtime to counteract the alcohol advertising. There is a balance – alcohol brand and ALAC.
So my concern centres around the fact that not only can this alcohol advertising be seen ALL day on a national site (yes – I acknowledge the fact that it is in the business section and its not like kids visit the business section of the Herald on a daily basis, however the reason that I got to this article was a link on Twitter) but you can take the user brand experience to the next level by clicking on the ad.
The first screen you come up against is an ‘are you 18’ screen, but it’s not difficult to lie on this. What gets me however is the next screen you come to isn’t exactly what was detailed in the ad. The ad says “Find out more” at which point I would have expected to land on the “About Steinlager Edge” as below:
Instead, you land on a competition page (I thought there were rules about giving alcohol away as prizes?):
So we have an ad which is driving the user to slightly misrepresented content and a competition with only an ‘I promise I am over 18’ check box. I wouldn’t say that I am a total stick in the mud, but I do find this worrying. It was way too easy for me to get my hands on alcohol at a very young age, and I didn’t have the access to the Internet that kids to these days. No wonder we are a nation of binge drinkers (don’t get me wrong – totally guilty myself).
So my question is: Is there a similar deal with publishers and ALAC as there is with television?
There just seems to be a serious lack of self-regulation within the online advertising industry. I realize that it is still a young industry, but it would be great if someone would start drawing a line in the sand. I would have thought that this is something that the IAB could have done, but with an impending restructure announced today, and the departure of Grieg as a CEO, I hope that there will be someone/some people to steer the ship in the right direction and really start to take charge of how we can make this industry as great as it could possibly be.
So some time ago I wrote a blog asking people not to forget about Chrome users, cos (while I do often bitch about them) I would like to see some of the creative ads that are out there. Really, I would. For instance, today, @craigadolph sent out a tweet: “http://twitpic.com/alwsf - cool telecom ad on nzherald. using non standard ads without being offensive. i like. @ros_ashworth” when I tried to check it out, I could not see it. Instead of this:
I got this:I totally agree with Craig, that is a really nice wallpaper ad, nothing obstructing my view, NZHerald have done a GREAT job of accommodating the creative. This is the best thing I have seen come out of Telecom in ages - and Eyeblaster has killed it for Chrome users.
For some reason or another eyeblaster does not support Chrome for wallpaper ads. One comment from the last post was that it was ok as Chrome only have 2% penetration. Not sure where this number came from (it was an anonymous comment) however I have access to analytics for a variety of websites (including this blog) and the average percentage of Chrome users across 5 very different sites is 5.8% for the last month.
What I think eyeblaster really need to think about is WHO is using Chrome. Is it ma & pa on the farm in Timaru? Or is it the people who are pretty dedicated to Google, and the internet, and (remember, this is MY OPINION) potentially the early adopters? You know, it was not that long ago that everyone used IE, and look at the use of Firefox these days.
Here’s an idea. Rather than take a leaf out of the telco’s books and constantly play catch up with the rest of the world, why not be proactive? No one like someone who is dancing 1 beat behind the music; Chrome use is growing, dance in time with the music and people will pay you more attention.
Interestingly, 10.1% of visitors to my blog view it through Chrome, well higher than the other sites I have analytics access to. Wonder what that means?
What would have absolutely completed this would have been if they owned the intro ads for all episodes of Fringe & Chuck on tvnz.co.nz/video. (note: I say intro ads only – not every ad gap!) What would also help would be if tvnz.co.nz loaded the episodes quickly – at the moment (Thursday morning) neither episode is up, so it is possible that they are going to do this from last night’s episodes.
Again, I think the unfortunate part of this element of the campaign is the creative. When I saw that tvnz had a homepage takeover this morning, I thought (looking at the background and not the banner) that it was HP that had done the takeover – those ‘+’ signs threw me.
Keep the media team, shake the creatives. (In saying that – I am well aware it is more than likely that it is not the creative team’s fault, potentially the client.)
The Instant Kiwi showcase, does not have a click through. I say good on them. You can’t buy instant kiwi’s online – all you can do is find out what other kinds of tickets you can purchase, and any recent big winners. Why would you send anyone through to the site? There is no point.
This would be the joy of brand advertising, which I do believe can work just as hard online, as in other mediums. Sometimes, you just want some phenomenal reach for your brand, and what better way to get mass eyeballs on your brand than advertising on the homepage of Trade Me? An estimated 1.1M page impressions in one day, approx. 375k unique browsers (yes – I have my little black Trade Me ratecard now, thank you!) for less than a ratecard spend 30 second spot on Shortland St… Add in some of the other big publishers over the week, and you could have a pretty far reaching brand campaign, with my smaller production costs than television, and placement also at a fraction of the cost.
I know that one of the main selling points of online is the measurable nature of the medium. x number of people clicked, therefore it costs y to get x number of people to your site. Well, that is all well and good, but what if there is nothing for a user to do once they get there?
While Instant Kiwi can afford to place media on both television and online, I think it shows some serious recognition of what online can do for brand. Perhaps other companies, who may know their audience is online, but do not have an online (per se) offering, will start using this medium for brand campaigns. That’d be nice to see, and who knows what else might fall out of it.
Oh… I like it! It is much cleaner than it was before. I think that the addition of extra visuals on the homepage has seriously broken up the page which was previously too text heavy for my liking.
I was lucky enough to be shown what this was going to look like last week, and when you place the old and new homepages side by side, without a doubt the new one looks much nicer.
I like what they have done with the advertising spaces too. So today Farmers has bought out the homepage with the super rec, and because the super rec is being used, the top banner has been dropped from the homepage. I think this is a really good call on APN’s behalf. If a client is willing to spend the money on a super rec (placement and development of the creative) then give them pride of placement. By dropping the top banner, the entire super rec is above the fold (note: I am viewing this in Chrome). From memory, if a normal rec has been purchased the top banner comes back.
I see (especially news sites) homepages as a portal. People go to check out headlines, and then go to a story they want to read. While I am sure that the ads get clicked on, I think the branding potential is much higher.
Can’t say I’m completely wedded to the font, but that’s something I can overlook.
I like. I wasn’t much of a fan of the old homepage, would visit this one more I feel. I will be interested to see if they roll some of these changes out throughout the rest of the site.